Captain Margaret — Key Ideas to Explore

g the night. The decks of the _Broken Heart_, lying at anchor there, with the lantern burning at her peak, were wet with dew. Dew dripped from her running rigging; the gleam of wetness was upon her guns, upon her rails, upon the bell in the poop belfry. She seemed august, lying there in the twilight. Her sailors, asleep on her deck, in the shadow, below the break of the quarter-deck, were unlike earthly sleepers. The old boatswain, in the blue boat-cloak, standing at the gangway watching the dawn, was august, sphinx-like, symbolic. The two men who stood above him on the quarter-deck spoke quietly, in hushed voices, as though the hour awed them. Even the boy by the lantern, far aft, stood silently, moved by the beauty of the time. Over the water, by Salcombe, the fishers’ boats got under way for the sea. The noise of the halliards creaked, voices called in the dusk, blocks piped, coils of rope rattled on the planks. The flower of the day was slowly opening in the east, the rose of the day was bursting. It was the dim time, the holy time, the moment of beauty, which would soon pass, was even now passing, as the sea gleamed, brightening, lighting up into colour.

Slowly the light grew: it came in rosy colour upon the ship; it burned like a flame upon the spire-top. The fishers in their boats, moving over the talking water, watched the fabric as they passed. She loomed large in the growing light; she caught the light and gleamed; the tide went by her with a gurgle. The dim light made her larger than she was, it gave her the beauty of all half-seen things. The dim light was like the veil upon a woman’s face. She was a small ship (only five hundred tons), built of aromatic cedar, and like all wooden ships she would have looked ungainly, had not her great beam, and the height of her after-works, given her a majesty, something of the royal look which all ships have in some proportion. The virtue of man had been busy about her. An artist’s heart, hungry for beauty, had seen the idea of her in dream; she had her counterpart in the kingdom of vision. There was a spirit in her, as there is in all things fashioned by the soul of man; not a spirit of beauty, not a spirit of strength, but the spirit of her builder, a Peruvian Spaniard. She had the impress of her builder in her, a mournful state, a kind of battered grandeur, a likeness to a type of manhood. There was in her a beauty not quite achieved, as though, in the husk of the man, the butterfly’s wings were not quite free. There was in her a strength that was clumsy; almost the strength of one vehement from fear. She came from a man’s soul, stamped with his defects. Standing on her deck, one could see the man laid bare--melancholy, noble, and wanting--till one felt pity for the ship which carried his image about the world. Seamen had lived in her, seamen had died in her; she had housed many wandering spirits. She was, in herself, the house of her maker’s spirit, as all made things are, and wherever her sad beauty voyaged, his image, his living memory voyaged, infinitely mournful, because imperfect, unapprehended. Some of those who had sailed in her had noticed that the caryatides of the rails, the caryatides of the quarter-gallery, and the figurehead which watched over the sea, were all carven portraits of the one woman. But of those who noticed, none knew that they touched the bloody heart of a man, that before them was the builder’s secret, the key to his soul. The men who sailed in the _Broken Heart_ were not given to thoughts about her builder. When they lay in port, among all the ships of the world, among the flags and clamour, they took no thought of beauty. They would have laughed had a man told them that all that array of ships, so proud, so beautiful, came from the brain of man because a woman’s lips were red. It is a proud thing to be a man, and to feel the stir of beauty; but it is more wonderful to be a woman, and to have, or to be, the touch calling beauty into life.